Carl Beam (1943–2005) was a painter, printmaker, ceramicist, and performance artist who challenged assumptions about First Nations creativity and the style and content of Indigenous art. Through his work, he reflected on contemporary experiences of the peoples of Turtle Island. By 1985, Beam was in the vanguard of a movement that exerted pressure on the Canadian art establishment to include neglected perspectives in exhibitions and publications. He was the earliest First Nations artist to have work purchased by the National Gallery of Canada as contemporary Indigenous art. Beam’s artistic career reflects his commitment to confronting stereotypes and prejudices. He was a catalyst for change, propelling Canada to come to terms with its colonial and racist past.